Hold onto your butts: A tour through Kualoa Ranch, aka real world Jurassic Park

Located on the eastern coast of Oahu, Kualoa Ranch spans 4,000 acres of nature preserve. It boasts so many different microclimates and environments that it can rain in one portion of the place while being bone dry in another. It has such stunning scenery that a freaking Motorola phone from 2014 will take photos that look like movie stills at a glance.

And because of those two factors—a private remote setting, effortless visual beauty—Kualoa has become a popular destination for big budget productions. Everything from Jurassic World to Battleship to Jumanji (2017) has worked here in recent years (and gems like or did in the past). Evidently Triple Frontier had just been at Kualoa filming one particular cliffside escape scene, utilizing an artificially created three-foot high cliff for safety.

So if you’re also lucky enough to be traveling with someone who reads, plans, and books tour tickets in advance, Kualoa Ranch opens its doors to visitor tours on horseback, on boat, on bike, on bus, on trolley, on ATV, and on some delightfully decaled Kawasaki Raptor UTVs so you can feel just like Dr. Ian Malcolm cruising around the ranch’s dirt paths. Eighty-five dollars per head will get you a guided hour of scenery gazing, rain dodging, dust kicking, and photo-taking at various film locations like the bunkers from Pearl Harbor or Hurley’s golf course from Lost. We stood in Godzilla’s footsteps (10-foot-deep stylized trenches, now filled in partially to spare Kualoa Ranch’s poor cows) and looked at the graveyard from Kong: Skull Island. No matter how often we came across illustrated Chris Pratt faces in the gift shop afterward, consensus opinion had long been solidified: that was one tourist activity worth skipping the beach for.

Nathan Mattise Nathan is an Austin-based Features Editor at Ars Technica. He edits and contributes posts on a variety of topics like lost short films that ran before , how NASA kept the Shuttle program going against Hurricane Katrina, and why Apple no longer loves indie bands. He also hosts and produces multimedia, like the Decrypted podcast season on or the new Tech on TV video series.
Email[email protected]//Twitter@nathanmattise

You must login or create an account to comment.

Channel Ars Technica

Related Stories

Sponsored Stories

Powered by

Today on Ars

CNMN Collection
WIRED Media Group
© 2019 Condé Nast. All rights reserved. Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement (updated 5/25/18) and Privacy Policy and Cookie Statement (updated 5/25/18) and Ars Technica Addendum (effective 8/21/2018). Ars may earn compensation on sales from links on this site. Read our affiliate link policy.
Your California Privacy Rights
The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast.
Ad Choices

Latest Articles

Related Articles