Black freedom as an act of white power. That’s the problem. White supremacy.
A partially-clothed freedman kneels before an impeccably dressed Abraham Lincoln who “heroically” breaks the chains of slavery with one outstretched hand while clasping the Emancipation Proclamation in the other. Lincoln’s expression, tender, paternal. The figure remains on the ground, unable to free himself, a non-participant, naïve, dependent upon his white savior.
The scene is depicted in Thomas Ball’s 1873 Emancipation Group, a marble sculpture that served as a study of Emancipation Memorial, Ball’s bronze monument erected in Washington, D.C.’s Lincoln Park. Both artworks reflect deeply racist, anti-Black perspectives. These are insulting, humiliating portrayals–a
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