Katie Holmes and Eddie Kaye Thomas in The Wanderers, at the Laura Pels. Photo: Joan Marcus
It’s hard to say too much about the premise of Anna Ziegler’s The Wanderers without spoiling the primary enjoyment you get from it, which is learning how exactly Ziegler has entwined her characters, her plot unfolding like a kid’s paper fortune teller. The frustration in the Roundabout’s staging is that it doesn’t keep up with the script. The director, Barry Edelstein, takes a steady, dutiful approach to something that is trying to reach toward more abstract reckoning, and
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